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Published Texts (selected)
| 2022 | Anders Troelsen, professor in architecture. Text from the catalogue for the exhibition Boundary River with Anette Harboe Flensburg, Galleri DGV. To koloristers fornemmelse for rum. En dialog mellem Ruth Campau og Anette Harboe Flensburg |
| 2022 | Tine Nygaard, art historian. Text from the catalogue for the exhibition Sunset Boulevard, Bornholm Art Museum. Foreword Forord |
| 2022 | Ruth Campau.Text from the catalogue for the exhibition Sunset Boulevard, Bornholm Art Museum. Sunset Boulevard EN Sunset Boulevard DK |
| 2022 | Nanet Mathiasen, architect and Ph.D. Text from the catalogue for the exhibition Sunset Boulevard, Bornholm Art Museum. Spaces of Light and Colour (Summary) Solen og himmellysets rum |
| 2022 | Ditte Vilstrup Holm, art historian. Text from the catalogue for the exhibition Sunset Boulevard, Bornholm Art Museum. Between Pause and Passageway (Summary) Mellem pause og passage |
| 2022 | Michael Linden-Vørnle, astrophysicist, in conversation with Tine Nygaard. Text from the catalogue for the exhibition Sunset Boulevard, Bornholm Art Museum. Sun with a capital S (Summary) Solen med stort S |
| 2022 | Kristin Hussey, science historian, in conversation with Tine Nygaard. Text from the catalogue for the exhibition Sunset Boulevard, Bornholm Art Museum. The science of Rhythms (Summary) Rytmernes videnskab |
| 2022 | Harald F. Theiss. Text from the catalogue for the exhibition VERGOLDET / DORÉ, Schloss Biesdorf. Vergoldet EN |
| 2015 | Ditte Vilstrup Holm, MA in art history. Folder for the exhibition Between the Past and the Coming, Overgaden Institute for Contemporary Art. Between the Luminous and the Grey Mellem det lysende og det grå |
| 2014 | Lene Burchard, art historian and inspector at Kunstmuseum Brandts. Speech at the opening of Crystalline, Gallery DGV, Svendborg. Crystalline Tale |
| 2013 | Trine Ross, art historian and art critic. Text from the catalogue WALL AND FLOOR. Transparence and Presence |
| 2010 | Ruth Campau. Preface from the book INSIDE OUT. About the brushstroke and light that is called forth by the visibility of all things Om penselstrøget og lyset som fremkalder af altings synlighed |
| 2010 | Andrea Rygg Karberg, art historian. Text from the book INSIDE OUT. The body’s mirror Kroppens spejle |
| 2010 | Jørn Ankjær Pedersen, M.Sc. in Engineering. Text from the book INSIDE OUT. Light, Color and Radiant Force - on Ruth Campau’s painting, Naphthol Red Light 419 Lys, Farve og Strålekraft - om Ruth Campaus værk Naphthol Red Light 419 |
| 2010 | Karsten R.S. Ifversen, architecture editor. Text from the book INSIDE OUT. The art of breathing life into a building Kunsten at beånde en bygning |
| 2008 | Mathias H Borello. Article from KUNSTEN.NU. Et minimalt nulpunkt med maksimalt udtryk |
| 2006 | Mette Sandbye, art historian. Text from the book MANUAL til dansk samtidskunst by Lisbeth Bonde and Mette Sandbye. Ruth Campau: Design til huset ”Nordlyset” |
| 2004 | Mikkel Bogh, art historian. Text for the catalogue I WILL BE YOUR MIRROR. Here It Is Colour That Does the Writing Det er farven der skriver her |
| 2001 | Trine Møller Madsen. Text from the art magazine KUNST. Minimalt i metermål |
| 1999 | Trine Ross, art historian. Article in Politiken. The Mechanical Strokes of the Body Kroppens Mekaniske Strøg |